MIRJAM MESAK – Soprano – 2018
Since performing the role of Mimi in Clonter Opera’s 2018 production of La bohème, having taken part in Clonter’s May Masterclasses in 2017, and the Opera Gala in the same year, Mirjam received both her Masters degree in voice from the Guildhall School of Music & Drama with a First Class Honours under the tutelage of Prof. Rudolf Piernay. For the season 2018/19 she was a member of the Opera Studio at the Bavarian State Opera in Munich. Mirjam has gone on to work with the finest singers and coaches including Helmut Deutch, Graham Johnson, Edith Wiens, Birgitta Fassbender, Eugene Asti, Julius Drake, Stephan Loges. Mirjam has since performed as a soloist in several of London’s renowned concert halls such as the Barbican Hall, Milton Court Concert Hall (including as part of the LSO’s This is Rattle festival), and Wigmore Hall. Recent opera engagements include Iolanta, Iolanta, Papagena Die Zauberflöte, Erste Geist/Erste Uhr Karl V and Blumenmädchen at the Bayerische Staatsoper, to name a few. Season 2019/20 at the Bayerische Staatsoper includes roles such as Juliette, Die Tote Stadt, Taumannchen, Hänsel und Gretel, Esmeralda Die verkaufte Braut, Xenia, Borid Godunov, Mignon, Mignon and Gianetta, L’elisir d’amore. Concert highlights include Beethoven 9th with the Bilbao Symphony Orchestra and conductor Erik Nielsen, as well as the Nuremberg Symphony Orchestra and Kahchun Wong. In 2019 Mirjam was awarded with the Bavarian Art Prize in the section Performing Arts – Bayerische Kunstdörderpreis in Der Sparte Darstellende Kunst.
Full Biog – https://www.mirjammesak.com
Blaibach – Michaela’s Aria “Je dis que rien ne m’épouvante, Carmen, Bizet 2019 – https://youtu.be/QuuvyR81x0s
Reviews – ‘…I’ve not heard Lauretta’s “O mio babbino caro” from Puccini’s Gianni Schicchi delivered with such artistry in concert; Mesak has the measure of authentic messa di voce and phrase-roundings, as well as an understanding of the young girl’s plight…’ David Nice, The Arts Desk, 2017 ‘a light soprano with amplitude in her soaring,’ David Nice, The Arts Desk ‘Estonian Mirjam Mesak (Mimì) is surely a singing actress with a great future, and she effortlessly shone out over the biggest vocal ensembles and accompanimental textures…’ Robert Beale, 2018‘…Never is the radiance of her voice careless, there is always skepticism, longing, the idea of a woe. A wonderful artist…’ – Egbert Tool, Süddeutsche Zeitung, 2019‘…Mirjam Mesak stood out as Iolanta. Fragile and fairy-like, her lyrical soprano let the princess shine from within. With a slightly rapturous timbre, she played and lived the blindness credibly and thus gave her role an unbelievable amount of depth…’ – Norman Schwarze, Bachtrack, 2019