SIR SIMON KEENLYSIDE – Baritone – 1984 & 1987

Sir Simon Keenlyside made his operatic debut, as a British Baritone, here at Clonter in 1984. He first appeared in the Royal Opera House just 6 years later as Ping from Turandot. From 1994 onwards, Simon has performed with The Royal Opera almost every season, and opera houses throughout the world. He was appointed a CBE in 2003 and awarded a knighthood in 2018.

AMANDA ROOCROFT – Soprano – 1984

Amanda Roocroft’s first appearance Clonter, was as a student of the Royal Northern College of Music, in 1984. Whilst studying, in 1988, she won the Kathleen Ferrier Award, and in 1989 she was praised by the British Critic, Michael Kennedy, for her performances in the college production of Cosi fan tutte. In the years between 1989 and 2010, Amanda has succeeded in performing at well-established events and venues including the Aix-en-Provence Festival, the Welsh National Opera, the Royal Opera House, The English National Opera, and the Glyndebourne Festival Opera. In 1994, she was also the subject of a Granada Television documentary, Amanda Roocroft: Opera’s Rising Star. As well as breaking into the British Opera circuit, Amanda succeeded in the North America, appearing in Don Giovanni as Donna Elvira at the Metropolitan Opera, and sang at Houston Grand Opera. In 2003, the University of Manchester awarded her an Honorary Doctor of Music. For her performance in Jenufa in the English National Opera in 2007, Amanda received the Laurence Oliver Award for Outstanding Achievement in Opera. Throughout her career, Amanda has also had the great pleasure of performing with the likes of Sir Simon Rattle, Zubin Mehta and the New York Philharmonic, and has made regular appearances at the London BBC Proms and at the Edinburgh International Festival.

JONATHAN LEMALU – Bass-Baritone – 2000 & 2001

Jonathan’s association with Clonter began in 2000. He was cast for Clonter’s production of The Marriage of Figaro and returned to Clonter in 2001 to perform in The Barber of Seville. Along with the rehearsal and training of stagecraft, vocal and physical stamina, Jonathan was awarded the 2000 Clonter Opera Prize winner. Also, as a 2001 Singers Academy Member, Jonathan received invaluable coaching from John Tomlinson at the Royal Opera House. In 2010, Jonathan was awarded with a Grammy Award for Best Opera Recording.

LEE BISSET – Soprano – 2000 & 2006

Scottish soprano Lee Bisset studied at the Royal Scottish Conservatoire, the Royal Northern College of Music and the National Opera Studio. Her first operatic role was Tatyana in Eugene Onegin for Clonter for whom she also sang Violetta in La traviata. Selected engagements include: Jenůfa (Scottish Opera), Káťa Kabanová (Longborough Festival Opera), Sieglinde Die Walküre (Opera North and Ópera São Paulo), Tosca (Opera Memphis and Opera Omaha), Senta Der fliegende Holländer (Ópera de Bellas Artes, Mexico City), Leonore Fidelio (Dorset Opera Festival), Minnie La Fanciulla del West (Opera Omaha); and concerts with the Hong Kong Philharmonic Orchestra, at the Teatro Real, Madrid, the Theatro São Pedro, Brazil and the Flanders Symphony Orchestra. Recently she sang Liza in Tchaikovsky’s The Queen of Spades at The Royal Opera House, Covent Garden, Isolde at the Konzert Theater, Bern, Switzerland and Sieglinde Die Walküre in Singapore. She will sing all the Brünnhildes in the new Longborough Ring.

NATALYA ROMANIW – Soprano – 2010 & 2011

Natalya won the Clonter Opera prize in 2010, and performed the title role in Lucia di Lammermoor for Clonter in 2011. She went on to cover Armida in Handel’s Rinaldo for Glyndebourne on tour, and successfully auditioned for the young artist programmes at the MET, New York, The Jette Parker young artist programme, Covent Garden and Houston Grand Opera, Texas, which was the offer she accepted. In 2012 Natalya was the first ever recipient of both the Lovely Song Prize and first prize at the Kathleen Ferrier Awards. Subsequent accolades include representing Wales in the BBC Cardiff Singer of the World competition, where she was a Song Prize finalist. Last season Natalya was nominated for the Times Breakthrough Category at the South Bank Sky Arts Awards. Most recent roles include Tatyana Eugene Onegin for Garsington Opera, Lisa Queen of Spades in a return to Opera Holland Park,  Jenufa for Grange Park Opera in their new Theatre in the Woods at West Horsley Place.  In 2017-18, Natalya sings Tatyana Eugene Onegin, in her house debut with Welsh National Opera, and for Scottish Opera in a new production by Oliver Mears. Looking further ahead, Natalya will make her debut with English National Opera as Mimì La bohème. This summer she returns to Garsington Opera as Marenka The Bartered Bride.  Also this season she will make her first solo recital recording in a collaboration with the pianist Lada Valesova, featuring repertoire by Dvořák, Janáček, Novák and Rachmaninov.

Garsington Opera – 2017 – Final Scene, Eugene Onegin

Opera Holland Park – 2019 – ‘Otchego eto prezhde ne znala’, Iolanta

Garsington Opera – 2019 – ‘Ten lásky sen’, The Bartered Bride

JUNG SOO YUN – Tenor  2011

South Korean tenor Jung Soo Yun first performed at Clonter as Edgardo in Lucia di Lammermoor. He has performed for HRH Prince Charles at St James’s Palace and sung in Kiri Te Kanawa’s Christmas Concert at Cadogan Hall. Yun has also sung across the UK in oratorio repertory, including Haydn’s Creation and Verdi’s Requiem, and in recital at Wigmore Hall. Operatic performances include Macduff Macbeth and Italian tenor Der Rosenkavalier for Opera North, Rinuccio Gianni Schicchi and Nadir Les pêcheurs de perles for Opera Holland Park, the title role in Werther for Les Azuriales Opera, and Ruggero Lastouc La rondine for Go Opera/Opera di Peroni. Yun made his Royal Opera debut in 2013 as Mainfroid Les vêpres siciliennes.

ELIN PRITCHARD – Soprano 2011

Elin first performed at Clonter as the Maid and cover of the title role Lucia di Lammermoor in 2011, returning to take part in the Opera Gala in 2015. Welsh soprano Elin Pritchard is a graduate of the Alexander Gibson Opera School at the Royal Conservatoire of Scotland and of London’s National Opera Studio. Her operatic roles include Violetta La traviata and Fiordiligi Così fan tutte for Den Jyske Opera, Kupava The Snow Maiden and Nedda Pagliacci for Opera North, Lucia Lucia di Lammermoor for Buxton Festival Opera (having first covered the role at Clonter in 2011), Donna Elvira Don Giovanni for the Finnish National Opera, Micaela Carmen for Mid Wales Opera, Female Chorus The Rape of Lucretia for British Youth Opera, and Musetta La bohème, Miss Jessel The Turn of the Screw, Nella Gianni Schicchi, Giorgetta Il tabarro and Stella I gioielli della Madonna for Opera Holland Park. For Scottish Opera, Elin has sung Donna Elvira Don Giovanni, Anne Trulove The Rake’s Progress, Violetta La traviata and First Dryad Rusalka. She sings regularly in concert, her repertoire including Beethoven’s Symphony No. 9 with the Dresden Philharmonic Orchestra, Bruckner’s Mass in F Minor, Brahm’s Requiem, Dvořák’s Te Deum, Fauré’s Requiem, Gounod’s Messe Solennelle, Haydn’s St Nicholas Mass with the English Chamber Orchestra, Mahler’s Symphony No. 4, Mendelssohn’s Elijah, Mozart’s Coronation MassMass in C Minor and Requiem, Poulenc’s Gloria with the Royal Philharmonic Orchestra, Vaughan Williams’ A Sea Symphony and Verdi’s Requiem.

Mladosti své posbavena from Dvořák’s Rusalka

MARTA FONTANALS-SIMMONS – Mezzo Soprano – 2012

Marta performed the role of Hansel in Clonter’s 2012 production of Hansel and Gretel. Studying at the Guildhall School of Music & Drama with Marylin Rees, Marta was the winner of the 2011 Maurene Lehane Vocal Award, runner-up for the 2011 Thelma King Award, and finalist in the Hampshire Singing Competition. She has performed as a soloist at Barbican Hall, St Martin-in-the-Fields and St John’s Smith Square. Recordings include Harvey’s Songs of Li Po for BBC Radio 3, Beethoven’s Choral Fantasy with the Royal Philharmonic Orchestra, and Holst’s The Coming of Christ with the Holst Orchestra. Recent opera experience includes Kate Pinkerton Madama Butterfly (Grange Park Opera 2012), Eva Comedy on the Bridge (Minotaur Music Theatre 2011) and Lucretia The Rape of Lucretia (British Youth Opera 2011). In 2012, Marta performed the role of Ruggiero Orlando generoso at The Barber Opera. Marta is proud to be a Susan Chilcott Scholar and Concordia Foundation Artist.

Milton Court 2016 – Fantoches – Debussy

Milton Court 2016 – Suleika I – Schubert


Since winning the Clonter Opera Prize in 2012, and performing in the Opera Gala of the same year, Anush joined the Jette Parker Young Artist Programme, Covent Garden.  In 2014 Anush won the 1st Prize in Concours Suisse Ernst Haefliger International Competition. As a Jette Parker Young Artist she performed at the Royal Opera House, Covent Garden in 2013-2015, and has worked under the direction of renowned conductors such as Jonathan Santagada, Renato Balsadonna, Semyon Bychkov, Gianluigi Gelmetti, Nicola Luisotti, Daniel Oren, Mark Wigglesworth, Esa-Pekka Salonen and Sir Antonio Pappano. Anush is the winner of First and Public Prizes, Deutsche Grammophon and Royal Danish Opera special prizes at the 2016 Stella Maris Competition. Most recent and upcoming performances include Violetta Valery, La traviata, for Scottish Opera, Amaltea, Mose in Egitto, in Cadogan Hall, Berg Seven Early Songs and Beethoven Symphony No 9, with the Southbank Sinfonia, Strauss four Last Songs with Amicus Orchestra, and performing debut as Donna Anna, Don Giovanni, at New Generation Festival in Florence. Further to the unanimous praise on her debut as Violetta Valery La traviata, for Scottish Opera,  Anush makes a house debut at the Welsh National Opera in 2018/2019 season in the same role. She will return to Welsh National Opera in 2020 as Hélène Les vêpres siciliennes and make her debut with Opera North as Musetta in the revival of Phillida Lloyd’s acclaimed staging of La bohème.

RAPHAELA PAPADAKIS – Soprano – 2012 & 2013

Raphaela played Gretel in Clonter’s 2012 production of Hansel and Gretel, returning to Clonter to win the Opera Prize in 2013, and performing in the Opera Gala later that same year. In 2014 she made her professional operatic début at Garsington Opera as Bathilde, Offenbach’s Vert-vert, as well as her song recital début at Carnegie Hall New York. Also Raphaela covered the Nymph in Michael Boyd’s production of Orfeo for the Royal Opera House, and the London première of Nicola LeFanu’s Tokaido Road, for which Raphaela created the role of the spurned geisha Kikuyo for the world première, Cheltenham Festival. Raphaela sang the role of Ann in the British première of Simon Vosecek’s Biedermann and The Arsonists, and won 1st Prize at the National Mozart Competition. Rafaela has recently completed the English National Opera’s training scheme for young artists, and gone on to cover at the Royal Opera House, and perform at the Berlin Staatsoper. Recent roles include the cover of the title role in Cavalli’s Hipermestraat Glyndebourne Fesitval Opera and Orestilla in Porpora’s L’Agrippina in its British premiere with Barber Opera. Recent and future plans include Haydn’s Creation with Paul McCreesh, performances with Multi-Story at the Aldeburgh Festival, creating the role of Doria Manfredi in a new play about Puccini’s life called Il letto by Christopher Hogg, a Helios Collective production for the Buxton, Copenhagen and Grimeborn Opera Festivals, and concerts of French song with Tom Poster, Elena Urioste and the Navarra Quartet at the Roman River Festival, recorded for broadcast on BBC Radio 3.

Jonathan Dove – Adelaide’s aria from The Enchanted Pig

GÉRARD SCHNEIDER – Tenor – 2013 & 2014

Gérard Schneider made his first appearance at Clonter in 2013 as Alfred in Die Fledermaus, and he returned to perform in the 2014 Opera Gala. Since then Gérard has performed throughout the world, including major debuts at the Sydney Opera House, Carnegie Hall, Wexford Festival Opera, and the Salzburger Festspiele. Gérard joined the Ensemble at Oper Frankfurt in the current season, debuting to great acclaim as both the Prince in Rusalka and Der Hirt in Krol Roger. He also made his debut with the Komische Oper Berlin in Barrie Kosky’s new production of La bohème and returned to Bard SummerScape for three projects celebrating the works of Alexander Pushkin which included the role of Wolfgang Amadeus Mozart in Rimsky-Korsakov’s Mozart & Salieri. For the 2019/20 season, Gérard will continue his Ensemble work with Oper Frankfurt, performing Der Hirt in Krol Roger and the Prince in Rusalka. Also, he will be making his debut in the role of Gounod’s Faust in a new production at Opera Omaha.

Full Biog – http://www.gerardschneider.com/index.html

Deutsche Radio Philharmonie 2015 – Che gelida manina La bohème

Joyce DiDonato Master Class, Carnegie Hall 2015 – Se all’impero amici Dei La clemenza di Tito

International Meistersinger Akademie, 2018 – Tombe degl’avi miei Lucia di Lammermoor

Frankfurt am Main 2019 – Questa o Quella Rigoletto

Salut! demeure chaste et pure Faust

ALISON ROSE – Soprano  2013

Alison made her first appearance at Clonter in 2013 as Adele in Die Fledermaus, returning to take part in the Opera Gala the same year. Since then she has gone on to win the 2015 Maggie Teyte Prize and the 2017 Leonard Ingrams Award and was a National Opera Studio Young Artist for the 2015/16 season. Concert highlights include Vaughan Williams’ Serenade to Music at the BBC’s Last Night of the Proms in 2016, Handel’s Messiah at the Royal Albert Hall, Iain Burnside’s musical play Shining Armour with Roderick Williams and Victoria Newlyn, Britten’s Les Illuminations at the Southwell Music Festival and solo recitals at the Oxford Lieder Festival and the Royal Opera House Crush Room. Operatic roles include Papagena, Die Zauberflöte (Glyndebourne Festival Opera); Barbarina Le nozze di Figaro Garsington Festival Opera and English National Opera; Governess, The Turn of the Screw (Bury Court Opera); Vixen The Cunning Little Vixen Grimeborn Festival/Arcola Theatre; Frasquita Carmen (understudy) for Glyndebourne Festival Opera, Lady in Waiting Gloriana St Endellion Festival with Martyn Brabbins, Miranda The Dancing Master GSMD, Bětuška The Cunning Peasant GSMD and Servilia La clemenza di Tito RNCM. Performances at the National Opera Studio included residencies with Opera North, Welsh National Opera, and a performance of scenes from contemporary opera at Sadler’s Wells Theatre. Recent and future performances include her debut with Glyndebourne Festival Opera as Papagena in Mozart’s Die Zauberflöte, Mahler’s Symphony no. 4 at the Southwell Music Festival and Britten’s Les Illuminations with Sian Edwards for the Lewes Festival of Song. Further performances include her debut with Opera North on their Whistle Stop Opera tour, and a return to ENO for a Studio Live production of Judith Weir’s Blonde Eckbert. Alison continues her studies in London with Gary Coward.

Full Biog – http://www.alisonrosesoprano.com


Since performing the role of Rosalinde, Samantha’s roles have included Mrs Coyle Owen Wingrave for the Aldeburgh Festival and Edinburgh Internation Festival, under Mark Wigglesowrth; Chausson’s Poème de l’amour et de la mer at the Barbican’s Milton Court under Julian Clayton; Mozart Requiem with the New Bristol Sinfonia; Dvoràk’s Stabat Mater and Mendelssonhn Paulus at Christchurch Priory. Outside of the UK, Samantha has performed in concerts at the Fontainebleau Palace and with the Schlosstheater Schönbrunn Orchester in Vienna.

Full Biog – http://www.samanthacrawford.com/

2016 – Komm, komm, holder knabe! Parsifal


Since performing the role of Eisenstein for Clonter, Lawrence took up a place on the Opera Course at the Guildhall where he played Arlecchino in The Adventures of Pinocchio. He also performed the role of Tamino in The Magic Flute for Lismore Music Festival and numerous Oratorio performances, including Saint Nicholas, The Creation, Elgar’s Coronation Ode and Gounod’s St. Ceclia Mass.

Full Biog – https://www.lawrencethackeray.net


ALISON LANGER – Soprano  2013

Since performing in Die Fledermaus, Alison joined the Guildhall’s Opera course, performing the role of Erodiade in San Giovanni Battista. In her 2nd year roles included Princess in The Cunning Peasant Dvoràk, Norina I Pazzi per Progetto Donizetti. In 2015 she performed as Lisette in La rondine for Opera in the Open in Dublin.

Full Biog – http://alisonlanger.com

HENRY NEILL – Baritone – 2017

Henry performed the title role in Clonter’s production of The Marriage of Figaro in 2018. Henry graduated from the Royal Academy of Music Opera School. He was the winner of the 2016 Royal Overseas League Singer’s Prize and holds several national awards, including a Concordia Foundation Artists Award from the Worshipful Company of Musicians. Recent performances include Handel’s Messiah at the Royal Albert Hall, appearances on BBC Radio 3’s In Tune, Dutch National Radio 4, Wigmore Hall, and the Oxford and Leeds Lieder Festivals. Operatic roles include Conte (Le nozze di Figaro – RAO), Smirnov (The Bear – RAO), Quince A Midsummer Night’s Dream – Shadwell Opera, and Marquese La traviata – West Green House Opera. In 2017, Henry played the role of Noah in English Touring Opera’s newly-commissioned production of Silver Electra, and the role Edmund Bertram in Jonathan Dove’s Mansfield Park, commissioned by The Grange Festival. Henry is currently a member of the solo ensemble at the Deutsches Nationaltheatre, Weimar. Current and Guture projects there include Guglielmo Così fan tutte, Conte Le nozze di Figaro, Masetto Don Giovanni, Geschem Nathan und seine Kinder by Andrew Kassel, Reinmar Tannhauser and Silvano Un ballo in Maschera. In the upcoming months Henry will be playing Papageno Die Zauberflöte with Swedish Opera Festival Opera på Skäret after which he will return to the UK to debut as Schaunard La bohème with Opera North.