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Spring Opera Showcase – Part 1
Sat 15 May, 7pm
This Saturday SHOULD have been the Spring Opera Showcase 2021, but as we are still not able to welcome you through our doors just yet, we ran the masterclasses 3 weeks earlier this year, in order to have a sporting chance of sharing some of the work with you, that went on behind closed doors.
It was so wonderful to have all the singers here with us, doing what we do, getting them together with a director, and music director, and repetiteur, and working intensely on pieces of their choice for one week.
We are currently putting together a mini documentary to share with you the full extent of their activities, but that is going to take a little longer, but what we are able to share with you is 5 arias that all the participants recorded while they were here, and we have edited into a short show for you. We hope you like it.
These recordings, minus the intros, the singers are now using to go out for other work, to agents and other opera companies, which is something they all were very delighted to have, as most of their other recent recordings have been done on their iPhones in their sitting rooms at home.
Thanks to the support of Cheshire East, The Government and many other supporters, many of YOU out there, we have been able to offer this opportunity to these singers this year.
This broadcast will be available to watch, free of charge, until Sat 21 May.
Allez, laissez-moi seul… Coeur sans amour, Cendrillon, Massenet
Shakira Tsindos – Mezzo-soprano
O Lisbona, Eon Sebastiano, Donizetti
Emyr Lloyd Jones – Baritone
Porgi amor, Le nozze di Figaro, Mozart
Elena Zamudio – Soprano
Kuda, kuda, vi udalilis, Eugene Onegin, Tchaikovsky
Ryan Vaughan Davies – Tenor
Quando m’en vo, La bohème, Puccini
Stephanie Stanway – Soprano
‘This last week has been blissful and utterly fabulous! A real treat after the awful year we’ve all experienced!…It was invaluable to work with industry professionals and be given the opportunity to shine in specific scenes. What was most rewarding about this experience was to sing on stage as a principal following months of not doing so!’
Ryan Vaughan Davies
‘THANK YOU very much again for everything, I won’t forget the last week in Clonter. It has changed something in me and I feel truly grateful to all of you’.
‘It was such a warm and supportive environment and I appreciate all of the special measurements to keep us safe and make the week possible. It would be a privilege to be considered for anything at Clonter in the future.’
‘I thought the whole process was great. It was safe and I felt it worked very well for what was achieved by the end of the week…Clonter is an amazing place, and I would LOVE to come back and work with you again!! The added value of the masterclass is that you are exposed to artists, musicians and important people in the music and operatic world, which you don’t get as much at conservatoire level…I enjoyed every minute of it, and thoroughly enjoyed working with amazing staff and colleagues. It was a splendid week of music making.’
‘I have found my passion for singing again after a long time of exploring other ventures during lockdown and I’m thrilled to say that the music and experience of last week has filled my soul…Clonter is a stunning place to be and allowed me the chance to completely focus on the music and the people I was working with. It’s a very special place. I really hope that there may be an opportunity to return in the future.’
Emyr Lloyd Jones (Baritone)
Emyr Lloyd Jones is a 23 year old baritone studying with Quentin Hayes. Emyr is the winner of the Elsie Thurston Prize, the James Martin Oncken Song Prize, the Alexander Young Prize and the Manchester Welsh Society prize at the RNCM, and the Joyce Budd Prize at the Kathleen Ferrier Society Bursary for Young Singers. He has performed in the RNCM opera chorus in productions of Handel’s Theodora, Massenet’s Cendrillon and Humperdinck’s Hansel and Gretel, and recently Pinellino in Puccini’s Gianni Schicchi, Obstinate in Vaughan Williams’ The Pilgrim’s Progress and Officier in Poulenc’s Dialogues des Carmelites. During the summer of 2018, Emyr appeared at Buxton Festival Opera in a semi-staged performance of Brescianello’s Tisbe with La Serenissima. Recently Emyr was a finalist in the Frederic Cox Award. Upcoming performances include the role of Edmund Bertram in Dove’s Mansfield Park at the RNCM and Adonis in Venus and Adonis with Mid Wales Opera. Emyr will be joining Buxton Festival Opera Young Artist Programme in the summer.
Click here to watch ‘Look! Through the Port’, Billy Budd, Britten (from Clonter’s Masterclasses in Lockdown 2020)
Ryan Vaughan Davies (Tenor)
Welsh tenor Ryan Vaughan Davies is studying his Masters of Performance with Russel Smythe at the Royal College of Music. He is the Ivor Llewelyn Foster Scholar generously supported by Monika Saunders Award. Ryan made his professional debut as Second Priest in Longborough Festival Opera’s production of Die Zauberflöte, conducted by Anthony Negus and directed by Thomas Guthrie. He has since worked with the La Serenissima for their production of Tisbe in The Buxton International Festival and at The Grange Festival for their productions of Falstaff and Belshazzar, whilst also understudying the role of Don Basilio in Le Nozze di Figaro. Ryan also enjoys singing on the concert platform with recent performances in the USA and Norway. He has recently worked with Dennis O’Neill, Roger Vignoles and Stuart Burrows on performance and repertoire. He looks forward to performing in the ensemble of Puccini’s Il Tabarro at the BBC Proms.
Click here to watch ‘La Fleur que tu m’avais jetée’, Carmen, Bizet (from Clonter’s Masterclasses in Lockdown 2020)
Elena Zamudio (Soprano)
Elena Zamudio is a classical singer from Spain, who graduated from the Escuela Superior de Música de Cataluña, Barcelona, in 2019, and is currently joining her last year of the MA Advanced Opera Performance with David Seligman Opera School at the Royal Welsh College of Music & Drama. Her studies are generously supported by the Clive and Sylvia Richards Charity. She began her violin musical studies in Elche, Alicante, at the age of eleven. Four years later, she felt that singing was her vocation and moved to Barcelona to continue her studies at the Municipal Conservatory of Barcelona, obtaining an Honorable Mention at the end of the Professional Degree and the Second Prize as a soloist at the l’Arjau Contest in Barcelona. She continued her training at the Escola Superior de Música de Catalunya (ESMUC), where she did her undergraduate training whilst also performing concerts in venues such as the Cercle del Liceu, L’Ateneu Barcelonés and the Real Artistic Circle of Barcelona. In addition, her continuous training led her to take master-classes with singers such as Jaume Aragall, Carmen Bustamante, Carlos Mena and Marcel Boone. Recently, Elena was awarded the prestigious 2020 Janet Price Opera Prize at the Royal Welsh College of Music & Drama.
Stephanie Stanway (Soprano)
Stephanie Stanway is a Samling Artist from Glasgow and is a recent graduate from the Alexander Gibson Opera School at the Royal Conservatoire of Scotland under Wilma MacDougall. Before studying at the RCS, Stephanie graduated from the Royal Northern College of Music with a Bmus (Hons) and PGDip (distinction). Stephanie is the recipient of the Ye Cronies Opera award The Dame Eva Turner Vocal Prize. Opera Credits include Principle, Pop-up Opera (Scottish Opera) Mary, Amadeus and the Bard (Scottish Opera), Lauretta, Gianni Schicchi, (RCS) Ida, Rosalinda (Cover) Die Fledermaus (RCS) Nun, The Fiery Angel (Scottish Opera) Miss Wingrave (cover), Owen Wingrave (British Youth Opera) Dolcina, Suor Angelica, Miss Jessel, The Turn of the Screw and Miss Pinkerton The old Maid and the Thief (Manchester Opera Ensemble). Stephanie has an interest for contemporary music and has created the roles of Emily, Emily (Tim Benjamin) and Ursula/Seppi, Mysterious 44 (Kevin Malone). On the concert platform Stephanie has performed all over the UK. Works include Handel’s Messiah, Nelson Mass (Haydn) Time of War mass (Haydn), The Eternal light (Howard Goodall), Petite Solennelle (Rossini), Mass to St. Cecile (Gounod) and The Armed Man (Karl Jenkins). This summer, Stephanie will return to Scottish Opera where she will perform ‘Pop-Up Opera’ versions of The Gondoliers, The Mikado and Iolanthe which will tour all around Scotland. Stephanie is represented by Helen Sykes Artist Management.
Shakira Tsindos (Mezzo Soprano)
This year, Australian mezzo soprano Shakira Tsindos will perform Zerlina in Don Giovanni, Hansel in Hansel and Gretel, Jill in a newly commission opera Little England, and the title role in Carmen. Shakira has been an active performer in the national and state opera companies in Australia, performing the roles of Agatha in By the Light of the Moon for Opera Australia; Dorothée in Cendrillon, Alisa in Lucia di Lammermoor and Il Cucolo in La bella dormente nel bosco for Victorian Opera. Her European credits include; Second Witch in Dido and Aeneas in Maulbronn, Germany, Dorabella in Così fan tutte in Sicily and the Daughter in HERA’s production of Generation in the UK. Shakira is currently completing the Guildhall Artist Masters in Performance at the Guildhall School of Music and Drama in London and has held a scholarship with the Melba Opera Trust, the Acclaim Awards and Opera Scholars Australia.
Click here to watch ‘Allez, laissez-moi seul… Coeur sans amour’, Cendrillon, Massenet (from Clonter’s Masterclasses in Lockdown 2020)
Linda Kitchen (Director)
Born in the Morecambe, Linda studied at the Royal Northern College of Music and at the National Opera Studio. Having served her apprenticeship at Glyndebourne Festival, she became a principal soprano at the Royal Opera House, Covent Garden. Linda sang a range of roles, including Susanna, Drusilla, Zerbinetta, Pamina, Despina, Gretel and Magnolia in Showboat, both in UK and across Europe. In 2004, she leapt off the stage into the role of opera director. Her directorial début was Shakespeare’s Hamlet in the ruins of St. Dogmael’s Abbey. Linda’s relocation to New Zealand in 2006 gave her many opportunities to direct numerous productions for Opera Factory, the University of Auckland and Southern Opera as well as projects for New Zealand Opera. Her productions of The Magic Flute, L’Heure Espagnole, Suor Angelica, Albert Herring, Die Fledermaus, Messiah and Carmina Burana were a highlight of her time spent in New Zealand where she also led the Theatre and Opera Skills courses at the University of Auckland. Linda has become known for her devised operatic comedies through her creations of Fast Forward Figaro, The Casanova Project (a hip hop version of Don Giovanni), Flora & Dora, Trump It and, more recently, Pants, which played at Frome and Buxton Festival. Linda’s book, Opera Lives, was published in 2018, and in 2019 she moved her own opera life back to our shores. She is delighted to be home and able to work alongside old friends and colleagues, especially through a programme for re-emerging artists initiated by the National Opera Studio, which Linda is leading. Being part of the RWCMD and WIAV team to help the development of young artists, as well as supporting singers of all ages and their audience is an important part of Linda’s life.
Wyn Davies (Music Director)
Wyn Davies was born in South Wales and graduated from Christ Church Oxford. He works with a wide range of opera companies, orchestras, theatre companies, in the West End and in cabaret. He has been Director of Music to New Zealand Opera since 2005 where his most recent productions have been Die Zauberflöte, La Traviata and Katya Kabanova. Wyn Davies first worked with Welsh National Opera. He conducted a wide variety of repertoire there, including his own edition of Monteverdi’s L’Incoronazione di Poppea as well as Janáček cycles and Krása’s children’s opera Brundibar (televised). He later spent two years as assistant conductor at the Metropolitan Opera, New York and undertook two seasons for the Banff Centre in Canada, which included the award-winning production of Weill’s Threepenny Opera in Toronto. Wyn Davies has conducted the Welsh and English National Operas, Scottish Opera and Opera North, where his collaborations have been frequent and successful from the co-production with the Royal Shakespeare Company of Show Boat (also in the West End and on tour) to Madam Butterfly, The Merry Widow and two Gershwin musicals: Of Thee I Sing (also Bregenz) and Let ‘Em Eat Cake. Wyn Davies has worked with the Hallé Orchestra, the Scottish Chamber Orchestra (Millennium Concert), several BBC orchestras and many other orchestras from Serbia to New Zealand. Recent projects include The Magic Flute, Don Giovanni and La Cenerentola for New Zealand Opera; Street Scene at the Royal Welsh College of Music and Drama; The Merry Widow at the Royal Northern College of Music; A Child of our Time for the National Youth Orchestra and Choir in New Zealand; Don Pasquale in Japan; Dido and Aeneas and La Voix Humaine for Opera North; La Cenerentola for Queensland Opera and Opera North and Under Milk Wood (an Opera) a co-production with Le Chien Qui Chante (Quebec), Companion Star (New York) and Welsh National Opera.
Satoshi Kubo (Répétiteur)
Japanese-born pianist Satoshi Kubo began his initial training in Oita, Japan. He is a distinguished graduate of the Conservatoire National Supérieur de Musique in Paris, studying with Itamar Golan, Jeff Cohen and Roger Muraro. He also discovered a passion for chamber music at the Festival Pablo Casals in Prades, where he worked as official class accompanist of its International Academy for several years. Kubo has been awarded numerous prizes, including the Prix de Duo Chant-Piano and the Rainier III de Monaco at the 6th Concours International de Chant-Piano Nadia et Lili Boulanger along with soprano Raquel Camarinha; and the Grand Prix at the Forum Musical International de Normandie, along with cellist Hee-Young Lim. Now based in London, Kubo works as a freelance pianist and opera répétiteur. He was a 2017-18 Young Artist at the National Opera Studio in London, generously supported by the Nomura Foundation during that time. He regularly collaborates with singers and works internationally for major and independent opera companies, including the Hessisches Staatstheater Wiesbaden, the Royal Opera House, The Opera Story, and New Sussex Opera. Since 2018, he has worked as coach for the Jette Parker Young Artists Programme, Royal Opera House. His most recent work is researching the Takuboku songbook composed by Yasuji Kiyose, and the use of the Japanese language in art song performance.
Lizzi Adams (Stage Manager)
Training: BA Hons in Theatre & Performance Technology, from The Liverpool Institute for Performing Arts
Professional Credits Include: Oliver Twist (UK Tour), Beryl, Seagulls & Treasure Island (Octagon Theatre, Bolton), The Love of the Nightingale & Pericles (Monkey House, London), The Rise & Fall of Little Voice (Octagon Theatre, Bolton), Aladdin (The Floral Pavilion, New Brighton), The Memory of Water (The Mill at The Pier, Wigan), Nina: A Story of Me & Nina Simone (UK & Ireland Tour), Friends Fest (UK Tour), Shirleymander (The Playground Theatre, London), The Toyboy Diaries (Hope Mill Theatre, Manchester), Hair (The Vaults, London), Brexit the Musical (C Venues, Edinburgh), Women Beware Women (Camden’s People Theatre, London), Liverpool Physical Festival (Hope Street Theatre, Liverpool), Fuse (The Everyman, Liverpool), Shakers & Parade (Hope Mill Theatre, Manchester), Quadrophenia (The Mercury Theatre, Colchester)
A few tickets left for Jazz in June on Sat 5 June – Click here for more info & book now
Until next week, take care.